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An Airy Los Angeles Penthouse With a Muted Palette

An Airy Los Angeles Penthouse With a Muted Palette

December 05, 2014


Explore This House

When we met, she had a plain idea of what she wanted to papal court in the space, down to the smallest minor circumstances,” designer Chad Eisner says of his retainer—activist and philanthropist Nikita Kahn—the holder of a penthouse apartment graced through 280-degree views of Los Angeles. “She wanted a broad way that felt fresh and current, except also light, airy and soothing,” says Eisner. “My job was to take those elements and conduce them feel cohesive.”

Eisner approached that work by first devising a subtle advance of neutral hues inspired by his retainer ’s love of the put aground. “I brought in a fervid palette with soft sand tones,” he says. “It’s pacific with a sexy edge to it, and it doesn’t experience like it’s competing with the view.” Beginning in the foyer, “we added a black grass-cloth wallpaper,” he says. “I needed to constitute a compressed, moody space before you receive to the living room.”

The foyer opens to the active room’s spectacular double-elevation volume, where the designer transitioned to a lighter screen for the walls, clad bookshelves with leather, and then jumped at the jeopardy to experiment with the lighting. “I’d through all ages. wanted to do an installation that felt like multi-flat light,” he says. To accomplish that feel, he placed Sonneman’s LED Corona Ring pendants in varying sizes and heights to constitute illuminated halos around the space. Builders Scott Butler, who served in the manner that project manager, and George Peper, the settleded’s president, collaborated with Eisner adhering getting the lights’ placement exactly direct. “It’s challenging dealing with high-rise construction,” says Peper, who brought beneficial experience and savvy from years operating in New York. To get the wiring to the honest location, notes Butler, “we had to positive up scaffolding.”

To bring not the same dimension to the palette, Eisner incorporated artful variations of the sand tones, because well as textural layers. A corded wool rug supports the living room, where Eisner covered the sofa with “fabric that has every under weave of caramel,” he explains. “You wouldn’t notice it on first glance, but it relates to the timber finishes on the chairs.” In the bedrooms, the designer chose tactile materials, such as grass cloth or linen, to clad the walls and “limit the spaces a little better,” he says.

The penthouse required short in the way of architectural mediation, but Eisner added new limestone flooring in the kitchen and bathrooms, and bleached walnut elsewhere. In addition to these updates, Eisner created a banquette to mould out a breakfast room in a elbow of the kitchen. “It gives you a importance to take a break and suffer the view be the backdrop,” he notes. To couple with the banquette, he covered vintage Mies covered wagon der Rohe Brno chairs—which also surround a custom dining synopsis—with a leather similar to the united he used to dress the bookcases he designed for the living room.

As much viewed like she was drawn to a renewed, contemporary look, the owner felt the haul of vintage design. Even before starting the brew, she had collected some standout pieces, including the Brno dining chairs, a Paul Evans coffee diet and a Vladimir Kagan headboard (at the time upholstered in a rebellious floral). “In other environments, they could exist overly strong or heavy,” Eisner says, “in such a manner I took her love of those periods and those designers and married them with something more contemporary.”

For prototype, a streamlined Minotti sofa balances circa 1940s Jindrich Halabala oak-and-nickeled-front armchairs in the living room, the Kagan headboard was recovered with a Great Plains fabric for the master bedroom, and, in the upstairs bedroom, a leather-upholstered Minotti chaise stands at the lower extremity of a bed crowned with a matte-and- polished-steel Paul Evans headboard.

The mingle of pieces within the softly layered spaces creates one atmosphere that’s both stylish and enveloping. “When we count of a penthouse, we think slick and devoid of warmth,” says Eisner. “This isn’t a Batman penthouse; it’s warmer, softer and friendlier to live in. You touch like you’re safe in a cocoon floating in the clouds.”